现任苏州大学钢琴教授，曾荣获法兰克福“德国钢琴家奖”桂冠、纽约国际肖邦钢琴比赛一等奖、巴黎的“杰出音乐家奖”年度头奖。

他的音乐造诣不仅是“俄罗斯钢琴学派”超技的最高体现，更是海因利希·涅高茨的二代传人，同时由于他丰富的教育背景，也使之兼具了德奥学派一丝不苟的精髓。

他的演奏具有细致剔透的触键、变化无穷和悦耳动听的音色而获得西方许多评论家的高度赞誉，法兰克福莱茵法尔兹音乐杂志的评论家给予了他“钢琴抒情诗人”的美誉，德国汉堡诺德斯泰特报评论称赞他为“艺术大师”。

艾瑞克•海席克（Eric Heidsieck）这样描述纳米罗夫斯基的演奏：“他所演奏的德彪西音色幻化无穷而清澈透明，拉赫马尼诺夫的音画练习曲则展现了他超凡精湛的技艺与掌控自如的激情。”

　　米沙•纳米罗夫斯基（人们也称作“迈克尔•纳米罗夫斯基 Michael Namirovsky”）的名字对大部分普通爱乐者而言稍显陌生，但是在业界，已经有不少人了解了他的演奏。他曾荣获众多国际钢琴大赛头奖，如：法兰克福“德国钢琴家奖”桂冠，纽约国际肖邦钢琴比赛一等奖，巴黎“杰出音乐家奖”年度头奖，意大利坎图钢琴比赛最高荣誉，以及美国路易斯安娜国际钢琴比赛、辛辛那提世界钢琴比赛、华盛顿威廉•卡佩尔钢琴比赛、日本仙台SENDAI国际钢琴比赛和西班牙安道尔钢琴比赛一等奖。

　　纳米罗夫斯基的音乐造诣不仅是“俄罗斯钢琴学派”超技的最高体现，更是海因利希·涅高茨的二代传人，同时由于他丰富的教育背景，也使之兼具了德奥学派一丝不苟的精髓。因其手下的演奏具有细致剔透的触键、变化无穷和悦耳动听的音色而获得西方许多评论家的高度赞誉，法兰克福莱茵法尔兹音乐杂志的评论家给予了他“钢琴抒情诗人”的美誉，德国汉堡诺德斯泰特报评论称赞他为“艺术大师”。他的博士生导师-陈宏宽教授（Hung-Kuan Chen）同样对他赞赏有加：“（纳米罗夫斯基）一位严谨的音乐家与卓越超群的钢琴演奏家，一位有着光明演奏事业前途的年轻人，他广袤的文化和教育背景无疑是他的资本。同时他又是一名出色的钢琴教师，有着非同寻常的活力与意念。”法国著名钢琴家、音乐家艾瑞克·海席克（Eric Heidsieck）这样描述纳米罗夫斯基的演奏：“他所演奏的德彪西音色幻化无穷而清澈透明，拉赫马尼诺夫的音画练习曲则展现了他超凡精湛的技艺与掌控自如的激情。”

　　纳米罗夫斯基早年在莫斯科学琴，随后又在美国和欧洲深造。这位拥有美国曼哈顿音乐学院钢琴演奏本科文凭、耶鲁大学钢琴表演硕士学位、德国慕尼黑音乐与戏剧大学“最高演奏家文凭”和美国新英格兰音乐学院音乐艺术博士（DMA）学位的钢琴家，在论及钢琴演奏和钢琴教学的体会时，格外强调品质和水准。作为一名资深钢琴教授，他被邀请来苏州大学之前，在波士顿新英格兰音乐学院，耶鲁大学音乐学院，慕尼黑音乐与戏剧大学，纽约曼哈顿音乐学院和路易斯安娜大学音乐学院均担任过教学工作。

　　纳米罗夫斯基深受正统的俄罗斯钢琴传统影响，功底深厚，融会贯通。他自幼就得以跟随莫斯科音乐学院名师卢德米拉·佩尔卡（Ludmila Perkal）学琴，后随父母移民以色列，师从以色列钢琴家索菲亚·波利亚克（Sofia Poliak），他在美国曼哈顿音乐学院学习期间师从钢琴家、教育家，曼哈顿音乐学院钢琴系主任所罗门·米科夫斯基（Solomon Mikowsky）。在完成本科学习后，纳米罗夫斯基在世界排名前五的印第安纳大学雅各布斯音乐学院攻读硕士，期间获得德国政府特颁的特殊人才奖学金，赴慕尼黑音乐与戏剧大学追随俄国传奇女钢琴大师艾莉索·维萨拉兹（Elisso Wirssaladze）学习了5年之久。之后，他又被竞争异常激烈的常春藤名校耶鲁大学音乐学院全额奖学金录取，师从钢琴系主任、钢琴家鲍里斯·贝尔曼（Boris Berman）攻读硕士学位，又考入波士顿的新英格兰音乐学院，师从陈宏宽教授完成了音乐艺术博士学位。可以看出，纳米罗夫斯基背后的导师各个都是顶尖的钢琴大师和钢琴教育家。能够跟这些大师级的钢琴家学习，也使得他对于钢琴的教学感触颇深。

　　继2014年在巴黎的多场巡演引起轰动后，他被法国评选为“杰出音乐家奖”年度头奖。至此他常年活跃于世界各地的顶级音乐厅和音乐节，如：纽约卡内基音乐厅，华盛顿肯尼迪艺术中心，法兰克福老歌剧院，莫斯科大音乐厅，上海交响音乐厅，日本未来音乐厅，巴黎科尔托音乐厅，波士顿乔顿音乐厅，慕尼黑音乐厅等，迈阿密音乐厅，特拉维夫音乐厅，东京艺术大学音乐厅等。与纳米罗夫斯基合作演出钢琴协奏曲的著名乐团有：美国辛辛那提交响乐团，古巴哈瓦那音乐学院交响乐团，日本仙台爱乐，新俄罗斯交响乐团，俄罗斯诺夫哥罗德爱乐等。

Michael Namirovsky (or Misha Namirovsky)

Namirovsky has been praised as a “master of his art” (The Norderstedter Zeitung – Hamburg), and a “lyrical poet” (Die Rheinpfalz – Frankfurt); his playing hailed as “incredibly musical and sensitive, yet at the same time transparent and precise (Klassik.TV).” His vivid and sensitive performances are appreciated by critics and audiences alike--following a recent recital in Paris, French pianist and musicologist Eric Heidsieck wrote of Namirovsky’s “colors and clarity” and “extreme virtuosity and controlled passion.”

Namirovsky is a laureate of several international competitions, including the prestigious German Piano Award in Frankfurt, Chopin Koscuiszco Foundation Competition in New York, the Pro Musicis award in Paris, the Gran Prix at Italy’s Cantu Competition and first prize at the Louisiana International Piano Competition, among others. He has appeared in the world's most renowned concert halls, including Carnegie Hall in New York, Jordan Hall in Boston, Salle Cortot in Paris, Great Conservatory Hall in Moscow, Alte Oper in Frankfurt, Shanghai Symphony Hall, and Mirai Hall in Yokohama, Japan. He has collaborated, among others, with the Cincinnati Symphony Orchestra; The Conservatory Orchestra of Cuba; Sendai Philharmonic Orchestra in Japan; Novaya Rossiya Symphony, Nizhnii Novgorod Philharmonic, and the Capella Symphony Orchestra in Russia; the Niederbayernphilharmonie in Germany; and New Britain and Atlantic Symphony Orchestras in Boston.

The upcoming season will also feature Namirovsky’s appearances with the Nanjing Chamber Symphony, Xiamen Philharmonic orchestra, Chengdu Sympony and Academic Orchestra Munich; in recital in throughout China as well as, Paris and Brussels and New York and debut concert at the prestigious Miami International Piano Festival. Namirovsky collaborated with Deborah Pae for the Outhere Label and for Musiq3 Radio in Belgium. With cellist Alexander Suleiman, Namirovsky toured Asia with a unique performance-workshop series titled, “Music, Magic and Maths.” Other prominent collaborations include with Peter Wiley, Arnold Steinhardt, Michael Tree, Sarah Beaty, Amir Eldan, and Hye-Jin Kim.

A passionate and prolific chamber musician, Namirovsky has participated in the celebrated Marlboro Festival in Vermont and the Eastern Music Festival in North Carolina. As the pianist in Trio Modetre, alongside violinist Tessa Lark and cellist Deborah Pae, Namirovsky won the silver prize at the preeminent Fischoff Chamber Music Competition in Indiana and the trio has performed at New York’s Chamber Music Live concerts as well as for the Music for Food Foundation in Boston. As a recipient of the Tarisio Grant, the trio will record their debut album for the TYXart label, featuring trios by Frank Bridge and Johannes Brahms.

Namirovsky holds degrees from the Manhattan School of Music, Yale University and Munich Musikhochschule. He completed his D.M.A at the New England Conservatory with a dissertation focusing on the piano works of British composer Frank Bridge. Namirovsky will present several lectures on the same topic in the near future. Namirovsky is currently professor of piano at the Soochow University in Suzhou, China.

Himself a devoted teacher, Namirovsky is steeped in the illustrious Russian pedagogical tradition. Former professor Hung-Kuan Chen called Namirovsky “a serious musician and excellent pianist; in addition he is a wonderful teacher with marvelous energy and awareness.” Former teachers include Eliso Virsaladze (herself a student of Yakov Zak and Heinrich Neuhaus) Solomon Mikowsky and Sofia Poliak; other influences include Mitsuko Uchida, Alfred Brendel and Peter Weiley. Namirovsky regularly gives masterclasses in the USA (Oberlin College, Northwestern University of Louisiana, Queens College), Spain (Santander Conservatory), and China (Xinghai Conservatory, Xian Conservatory, and others). Namirovsly is a regular guest at several summer festivals including Neuburg Academy (Germany) Noja Festival and Gijon Piano Festival (Spain).